Critical shakespeare essays

Thomas Carlyle , : "Nay, apart from spiritualities; and considering him merely as a real, marketable, tangibly useful possession.

Tolstoy on Shakespeare: A Critical Essay on Shakespeare

England, before long, this Island of ours, will hold but a small fraction of the English: in America, in New Holland, east and west to the very Antipodes, there will be a Saxondom covering great spaces of the Globe. And now, what is it that can keep all these together into virtually one Nation, so that they do not fall out and fight, but live at peace, in brotherlike intercourse, helping one another?

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This is justly regarded as the greatest practical problem, the thing all manner of sovereignties and governments are here to accomplish: what is it that will accomplish this? Acts of Parliament, administrative prime-ministers cannot. America is parted from us, so far as Parliament could part it.

Tolstoy on Shakespeare A Critical Essay on Shakespeare

Call it not fantastic, for there is much reality in it: Here, I say, is an English King, whom no time or chance, Parliament or combination of Parliaments, can dethrone! This King Shakespeare, does not he shine, in crowned sovereignty, over us all, as the noblest, gentlest, yet strongest of rallying-signs; indestructible; really more valuable in that point of view than any other means or appliance whatsoever? We can fancy him as radiant aloft over all the Nations of Englishmen, a thousand years hence. From Paramatta, from New York, wheresoever, under what sort of Parish-Constable soever, English men and women are, they will say to one another: 'Yes, this Shakespeare is ours; we produced him, we speak and think by him; we are of one blood and kind with him.

Victor Hugo , : "Two exiles, father and son, are on a desert island serving a long sentence. In a morning, sitting in front of the house, the young man asks: 'What do you think of this exile? The old serene man reply: 'I will look the ocean, and you? I expected to receive a powerful aesthetic pleasure, but having read, one after the other, works regarded as his best: " King Lear ," " Romeo and Juliet ," " Hamlet " and " Macbeth ," not only did I feel no delight, but I felt an irresistible repulsion and tedium Several times I read the dramas and the comedies and historical plays, and I invariably underwent the same feelings: repulsion, weariness, and bewilderment.

Timeline of Shakespeare criticism - Wikipedia

At the present time, before writing this preface, being desirous once more to test myself, I have, as an old man of seventy-five, again read the whole of Shakespeare, including the historical plays, the "Henrys," " Troilus and Cressida ," " The Tempest ", " Cymbeline ", and I have felt, with even greater force, the same feelings,—this time, however, not of bewilderment, but of firm, indubitable conviction that the unquestionable glory of a great genius which Shakespeare enjoys, and which compels writers of our time to imitate him and readers and spectators to discover in him non-existent merits,—thereby distorting their aesthetic and ethical understanding,—is a great evil, as is every untruth.

Sigmund Freud , : "Incidentally, in this meantime, I stopped to believe that the author of Shakespeare's works were the man of Stratford. Freud, : "It is well known that the genius is incomprehensible and irresponsible; so we should bring it to the dance as a full explanation to what the other solution has failed.

The same consideration applies also to the remarkable case of William Shakespeare of Stratford. Auden , : "There is a continual process of simplification in Shakespeare's plays. What is he up to? He is holding the mirror up to nature. In the early minor sonnets he talks about his works outlasting time. I find Shakespeare particularly appealing in his attitude towards his work. There's something a little irritating in the determination of the very greatest artists, like Dante , Joyce , Milton , to create masterpieces and to think themselves important.

To be able to devote one's life to art without forgetting that art is frivolous is a tremendous achievement of personal character. Shakespeare never takes himself too seriously. Eliot : " Dante and Shakespeare divide the modern world between them, there is no third. Why he attempted it at all is an insoluble puzzle; under compulsion of what experience he attempted to express the inexpressibly horrible, we cannot ever know. We need a great many facts in his biography; and we should like to know whether, and when, and after or at the same time as what personal experience, he read Montaigne , II.

We should have, finally, to know something which is by hypothesis unknowable, for we assume it to be an experience which, in the manner indicated, exceeded the facts.

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We should have to understand things which Shakespeare did not understand himself. Otto Maria Carpeaux : "The greatest poet of modern times and—except for the limitations of our critical judgement—of all time. Tolkien , : "[The Ents '] pan in the story is due, I think, to my bitter disappointment and disgust from schooldays with the shabby use made in Shakespeare of the coming of 'Great Birnam wood to high Dunsinane hill': I longed to devise a setting in which the trees might really march to war.

Allan Bloom , : "Shakespeare devotes great care to establishing the political setting in almost all his plays, and his greatest heroes are rulers who exercise capacities which can only be exercised within civil society. To neglect this is simply to be blinded by the brilliance of one's own prejudices. As soon as one sees this, one cannot help asking what Shakespeare thought about a good regime and a good ruler.

He spontaneously knew how to translate some typical tension or conflict of his society into terms of variously interrelated personalities—and his function as a dramatist was to let that whole complexity act itself out, by endowing each personality with the appropriate ideas, images, attitudes, actions, situations, relationships, and fatality. Perhaps in this sense Shakespeare never wrote the ideal Shakespearean play; but again and again he came close to it.

Critical Essays on Shakespeare's the Tempest

For what he believed in above all was the glory of his trade itself, which is to say, the great humaneness of the word. Stephen Booth , : "A good metaphor for Networks of nonsensical relationship act upon speeches and plays the way a patina does upon artwork in metal. The contributors' diverse approaches range from the new historicism to the new bibliography, from formalism to feminism, from reception theory to cultural materialism, and from biographical criticism to queer theory.

In addition, James Schiffer's introduction offers a comprehensive survey of years of criticism of these fascinating, enigmatic poems. We provide complimentary e-inspection copies of primary textbooks to instructors considering our books for course adoption. Most VitalSource eBooks are available in a reflowable EPUB format which allows you to resize text to suit you and enables other accessibility features.

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For both formats the functionality available will depend on how you access the ebook via Bookshelf Online in your browser or via the Bookshelf app on your PC or mobile device. Stay on CRCPress. Home Shakespeare's Sonnets: Critical Essays. Preview this Book. Add to Wish List. Close Preview. Topics addressed will include feminist commentaries on the play, the principal of unity in the trilogy, the tradition of illumination of the play, textual variations, and finally, anachronism and This essay collection offers a lengthy introduction describing trends in criticism and theatrical interpretation of As You Like It.

Twenty-six major essays on the play, including several written especially for this volume highlight the work, coupled with twenty-three reviews of various productions, Stay on CRCPress. Per Page. Include Forthcoming Titles. Venus and Adonis: Critical Essays 1st Edition.


Macbeth: New Critical Essays 1st Edition. The Tempest: Critical Essays 1st Edition. Kolin February 27, This is the first collection of critical essays devoted exclusively to Shakespeare's first published work, his long narrative poem Venus and Adonis which established his reputation as the literary darling of London and the heir of Ovid. Twelfth Night: New Critical Essays 1st Edition James Schiffer October 14, This volume in the Shakespeare Criticism series offers a range of approaches to Twelfth Night, including its critical reception, performance history, and relation to early modern culture.

Murphy May 16, The Tempest: Critical Essays traces the history of Shakespeare's controversial late romance from its early reception and adaptation in the seventeenth and eighteenth centuries to the present.